Beads
Ukuchola is an ancient Zulu practice of communication through beadwork, traditionally used by Zulu maidens to convey messages of love, emotion, and intent. The term “ukulele” translates to “to communicate” or “to examine” in Zulu, but within the context of beadwork, it specifically refers to the intricate art of sending messages through colour and pattern combinations.
In Zulu culture, beads are not merely decorative; they are symbolic carriers of meaning. Historically, young Zulu maidens would craft intricate beaded pieces known as “izincu” (love letters) to communicate their feelings to potential suitors or loved ones. This was a discreet and poetic form of expression, allowing women to convey their emotions without the constraints of social norms that limited open courtship.
Each bead colour had a specific meaning, and the way the beads were strung together created a narrative. The interpretations could be quite complex, as the combination of colors and patterns added layers of meaning.
Brazzo
Our handmade brass pendant collection is a tribute to centuries of craftsmanship, blending historical artistry with contemporary design. With advancements in metal casting and shaping techniques during the 18th and 19th centuries, brass lighting became highly decorative, embraced by the Victorian and Art Nouveau movements for its intricate floral and geometric patterns.
Brass has been used in metalworking since antiquity, with early examples of brass lamps found in ancient Roman, Greek, and Middle Eastern civilizations. These early lamps were often oil-based and designed for both practical and ceremonial purposes.
The concept of suspended lighting fixtures evolved during the medieval period, when metal chandeliers and hanging lanterns were commonly used in churches, castles, and wealthy households. Brass, being more affordable than gold but still offering a luxurious look, became a popular choice for these fixtures.
Ilala Palm
We use Ilala palm, an indigenous plant that grows along the north-eastern coast of KwaZulu-Natal, to craft some of our products. This versatile plant has played a central role in the traditional craftsmanship of northern KwaZulu-Natal, where its fronds have long been used to create a wide range of practical and decorative items.
The selection of colours for our shades is influenced by the seasonal availability of vegetation, roots, and barks from specific trees. Dyeing the palm fronds is a practice passed down from master weavers, blending tradition, experimentation, and a touch of alchemy. Each colour variation reflects the creativity, skill, and experience of the individual weaver, making every piece unique.
Before the introduction of plastic, Ilala palm was especially valued for its durability and breathability. Its woven forms served countless practical purposes: baskets to carry food, store grain, or hold water; larger containers to store crops such as maize; mats for sitting or sleeping; hats to protect against the sun; and ropes for household use. These items were not only functional but also beautifully crafted, with intricate patterns that highlighted the skill and artistry of the weavers.
Beauty Ngxongo, a renowned Zulu master weaver, has been instrumental in the modern revival of Ilala palm as an artistic material. Her intricate baskets and woven works have gained international recognition, earning places in prestigious collections such as the Metropolitan Museum of Art and the Smithsonian Institution, celebrated for both their craftsmanship and cultural significance.
Telephone wire
We use Ilala palm, an indigenous plant growing along the north-eastern coast of KwaZulu-Natal, to make the shades. Ilala palm has played a central role in the traditional craftsmanship of northern KwaZulu-Natal, South Africa, where its versatile fronds have been used for a wide range of items.
Before the introduction of plastic, ilala palm was particularly valued for its ability to create durable, breathable containers and tools. Baskets made from ilala palm were used to carry food, store grain, and hold water, while larger woven containers served as storage for crops such as maize. The material was also used in the making of mats for sleeping or sitting, hats for protection against the sun, and ropes for various household uses. These handmade items were not only practical but also beautifully crafted, with the intricacy of the weaving reflecting the skill and artistry of the weavers.
The concept of suspended lighting fixtures evolved during the medieval period, when metal chandeliers and hanging lanterns were commonly used in churches, castles, and wealthy households. Brass, being more affordable than gold but still offering a luxurious look, became a popular choice for these fixtures.
Terazzo
Terrazzo’s roots trace back to ancient civilizations, with its origins in Venice, Italy, around the 15th century. Initially used by Venetian workers to repurpose scraps of marble and stone into durable and decorative floor surfaces, terrazzo has evolved over the centuries into a beloved material in modern design.
By the mid-20th century, terrazzo moved beyond just flooring and found its way into furniture design, particularly during the rise of Mid-Century Modernism. Today, terrazzo is celebrated for its versatility, incorporating materials like glass, marble, and metals such as brass, allowing for endless design possibilities.
Oak
Oak has a long and rich history as one of the most valued hardwoods used in furniture, architecture, and fine craftsmanship. Its use dates back thousands of years, with ancient civilizations such as the Egyptians, Greeks, and Romans utilizing it for shipbuilding, construction, and furniture due to its strength and durability.
Hardwood is known for its ability to withstand wear and environmental changes, making it ideal for statement pieces that are meant to last. The natural grain and texture of oak further add to the organic, handcrafted appeal of our products.
